Susan Hansell first wrote for the stage by constructing texts for Bay Area dancers, choreographers, and performance artists, including herself. As a result, stylized movement and physical elements remain theatrical aspects in her plays. Early pieces can be viewed on YouTube and have been published in More Monologues for Women by Women (Heinemann).
Subsequently in New York, Susan Hansell began to write full-scale plays, including My Medea, a selection of the Best American Short Plays series (Applause); and American Rose, commissioned and produced by Sightlines at The Ohio Theatre, NYC, and a Jane Chambers Award finalist.
New plays by Susan Hansell include the historically-driven three-act experimental drama At Dawn with the Rain and the Stars (one act of which was first presented at the 2017 William Inge Festival then produced as Every Concentrated Fragment in the 2018 One-Act Festival by the Tucson Players); the full-length experimental rom-com, Waiting for a Table at the Garden of Eden, from which a ten-minute stand-alone excerpt (In the Beginning...) was presented at the Midwest Dramatists Conference in 2017; and, An Ocean of Bees, a post-apocalyptic futuristic-tragicomedy which was presented by the Bechdel Group in New York City at The Tank on March 5, 2018, and, as a Bridge Initiative Winner, will be staged as a fully rehearsed reading at the Bechdel Test Festival in Phoenix, April 26, 27 and 28, 2019.
Email Susan Hansell directly at: <email@example.com>.
An Ocean of Bees. The Bechdel Group Spring Reading Series. March 5, 2018. The Tank, New York City.
My Medea. Cal Rep, Players Theatre, Long Beach, March 4 – 19, 2005.
American Rose: Our Gals on the Homefront, 1941-1945. Commissioned by Sightlines Theatre Company in September and produced at the Ohio Theatre in NYC, March 6-15, 1997.
“Cal Rep’s My Medea.” Mike Guardabascio. The Long Beach Union Weekly. Vol. 56, Issue 8. 14 March 2005. 11.
“CSULB’s Performance of My Medea.” Mike Guardabascio. The Long Beach Union Weekly. Vol. 56, Issue 8. 14 March 2005. 7.
“Greek Theater, Modern Touch at CSULB.” Harry Saltzgaver. The Long Beach Grunion Gazette. 10 March 2005: 26A.
“Not Like Greek Tragedy, but a Good Show.” Alessandra Djurklon. The Long Beach Press Telegram. 10 March 2005. U Entertainment.
“O.J. Simpson in News Again with CSULB’s My Medea.” Katie DeBoer. The Daily 49er. Vol. LV, No. 86. 9 March 2005.
"Highfalutin Greeks." Neal Storrs. Oasis 5.2 Oct.-Dec. (1996): Editor's Foreword.
"Disability in Western Culture." Jenny Morris. Pride Against Prejudice. London: The Woman's Press, 1991. 84-116.
Publications - Plays:
“We Are All Dick 3.” Oasis 11.3 Oct.-Dec. (2003): 26-62.
“Little Kings.” Oasis 10.1 Jan.-Mar. (2002): 29-56.
"Mary Mary." Inflatable Magazine 5, 1999. Also at <www.geocities.com/Athens/ Oracle/2515> (click on Issue 5).
"Rollover Othello." Oasis 5.1 July-Sept. (1996): 27-36.
"My Medea." The Best American Short Plays, 1996-97. Ed. Young. New York: Applause Books, 1998. 95-133.
"My Medea." The Best American Short Plays, 1995-97. Eds. Stein and Young. New York: Applause, 1997. 354-389.
"Don't." More Monologues for Women by Women. Ed. Haring-Smith. Portsmouth NH: Heinemann, 1996. 61-3.
"Affair on the Air." More Monologues for Women by Women. Ed. Haring-Smith. Portsmouth NH: Heinemann, 1996. 58-60.
Publications - Poems:
"Missings/s," "Don't Be Evil" and "The Boyfriend Marriage." Spot Literary Magazine Vol. 10 (2017): 101-109.
"As Usual." Rip Rap 28 (2006): 113-4.
"Winter Pears." Disability Rag Nov.-Dec. (1992): 33.
“From The L.A. Horoscope Poems.” The Portable Californian 1 (1992): 28.
"Odysseyan: Excerpts from the Epic/Epoch." Phoebe 3.1 (1991): 44-5.
"Every House Plant." Metis 7 (1991): 6.
“The Wolf.” Pride Against Prejudice. Morris. London: The Woman's Press, 1991. 86-8.
Publications - Essays:
"Re/fractions from Los Angeles." Phoebe 4.1 (1992): 19-22.
Publications - Translations:
Forced to Move. Renato Camarda. Trans. Susan Hansell. Berkeley: New Americas.
TEACHING AND EDUCATION:
California State University, Long Beach, Departments of English, History and Theatre, 2000-2007. Lecturer in upper-level Literature (370; 385), Theory (384), and Pedagogy (400) courses, in senior-level History of American Women (485), in graduate-level Theory of Theatre Aesthetics (696), in lower and upper level composition and literature (1; 100; 270; 309) and in interdisciplinary general education courses (372).
Brooklyn College of the City University of New York, 1994-2000. Lecturer in the graduate M.F.A. Program in Playwriting: Taught the M.F.A. program tutorials for the graduate-level student playwrights. Lecturer in Core 6 (Landmarks in Literature) Courses; Lecturer in Multi-Disciplinary Composition.
Also: two years at California State University Northridge, one year at Loyola-Marymount University (Los Angeles), and one year at San Francisco State University.
Master of Fine Arts in English, Playwriting: Brooklyn College of The City University of New York.
Master of Arts in English, Creative Writing: San Francisco State University.
Bachelor of Arts with High Honors in Sociology: University of California, Berkeley.
website photo by a. paul cartier