Susan Hansell began to write for the theatre by constructing text/s for dancers, choreographers, and performance artists, including herself. Early pieces can be viewed on YouTube, have been published in More Monologues for Women by Women (Heinemann) and performed by the author at The San Francisco Museum of Modern Art, among other San Francisco venues.
Subsequently studying in New York City, Susan Hansell began to write full-length plays, including My Medea became a selection of the 1996-97 Best American Short Plays series (Applause), staged by the Players Theatre division of Cal Rep in 2005. Additional plays from this period are Little Kings and We Are All Dick 3, as well as American Rose, which was produced at The Ohio Theatre in NYC and received Honorable Mention in the 1998 Jane Chambers National Playwriting Contest.
New plays by Susan Hansell include the historically-accurate one-act Every Concentrated Fragment (presented at the 36th Annual William Inge Festival in April 2017), the historically-accurate full-length experimental drama, My World War Too, the full-length experimental satire, Waiting for a Table at the Garden of Eden, two 10-minute plays, Man + Woman = Luv for Reals and In the Beginning, and the hour-long naturalistic comedy, What Do We Have Here?
Original Stage Productions and Performances:
Every Concentrated Fragment. The William Inge Center 36th Annual Theatre Festival, April 19-23, 2017.
My Medea. University Players, California State University, Players Theatre, March 4 – 19, 2005.
Rollover Othello. California State University Long Beach, Showcase Productions,
October 15, 2004.
Don't. Detroit Mercy University Playhouse, Detroit Mercy University Productions,
Detroit, MI. November, 1999.
Affair on the Air. The Harold Clurman Theatre, 412 W. 42nd Street, New York, NY.
Love Creek Productions NYC, July 11-13, 1998.
American Rose: Our Gals on the Homefront, 1941-1945. The Ohio Theatre, 66 Wooster Street, New York, NY. Sightlines Theatre Company Productions NYC, March 6-15, 1997.
Rollover Othello. 42nd Street Studios, 410-412 W. 42nd Street, New York, NY. Love
Creek Productions NYC, April 26-28, 1996.
Lady in the Purple Velvet Hat and Trolls. Oklahoma State University Theatre. Student Directors Choice Productions, May 9-10, 1993.
A Day In. San Francisco Museum of Modern Art. A San Francisco State University
Poetry Center Production, Nov. 17, 1988. A videotape of this performance is available through the SFSU Poetry Center or by telephone at (415) 338-2227.
14 Ladies in Hats. Centerspace Studio Theatre, Project Artaud, San Francisco, CA.
April 7-28, 1988.
Drop It. Artists Television Access Productions, San Francisco, CA. July 21, 1987.
Collage. Centerspace Productions, Project Artaud, San Francisco, CA. June 19-27,
Pink Rope. Centerspace Studio Theatre, Project Artaud, San Francisco, CA. April 10- 21, 1986.
Three Monologues. Centerspace Productions, CenterspaArtaud, San Francisco, CA. August 15-24, 1985.
American Rose. Commissioned by Sightlines Theatre Company in September, 1996 and produced at the Ohio Theatre in NYC, March 6-15, 1999.
“Cal Rep’s My Medea.” Mike Guardabascio. The Long Beach Union Weekly. Vol. 56, Issue 8. 14 March 2005. 11.
“CSULB’s Performance of My Medea.” Mike Guardabascio. The Long Beach Union Weekly. Vol. 56, Issue 8. 14 March 2005. 7.
“Greek Theater, Modern Touch at CSULB.” Harry Saltzgaver. The Long Beach Grunion Gazette. 10 March 2005: 26A.
“Not Like Greek Tragedy, but a Good Show.” Alessandra Djurklon. The Long Beach Press Telegram. 10 March 2005. U Entertainment.
“O.J. Simpson in News Again with CSULB’s My Medea.” Katie DeBoer. The Daily 49er. Vol. LV, No. 86. 9 March 2005.
"'Hats Off' to a Promising New Playwright." Robert Hurwitt. The San Francisco Examiner. 16 April 1998: B-2.
"Brash Ideas about the Trouble with Men." Robert Wilden. The San Francisco Progress. 22 April 1998: B-7.
Critical Studies Of:
"Highfalutin Greeks." Neal Storrs. Oasis 5.2 Oct.-Dec. (1996): Editor's Foreword.
"Disability in Western Culture." Jenny Morris. Pride Against Prejudice. London: The Woman's Press, 1991. 84-116.
Publications - Plays:
“We Are All Dick 3.” Oasis 11.3 Oct.-Dec. (2003): 26-62.
“Little Kings.” Oasis 10.1 Jan.-Mar. (2002): 29-56.
"Mary Mary." Inflatable Magazine 5, 1999. Also at <www.geocities.com/Athens/ Oracle/2515> (click on Issue 5).
"My Medea." The Best American Short Plays, 1996-97. Ed. Young. New York: Applause Books, 1998. 95-133.
"My Medea." The Best American Short Plays, 1995-97. Eds. Stein and Young. New York: Applause, 1997. 354-389.
"Don't." More Monologues for Women by Women. Ed. Haring-Smith. Portsmouth NH: Heinemann, 1996. 61-3.
"Affair on the Air." More Monologues for Women by Women. Ed. Haring-Smith. Portsmouth NH: Heinemann, 1996. 58-60.
"Lady in the Purple Velvet Hat." Rockford Review 9 (1992): 19-22.
Publications - Poems:
"Missings/s," "Don't Be Evil" and "The Boyfriend Marriage." Spot Literary Magazine Vol. 10 (2017): 101-109.
"As Usual." Rip Rap 28 (2006): 113-4.
"Winter Pears." Disability Rag Nov.-Dec. (1992): 33.
“From The L.A. Horoscope Poems.” The Portable Californian 1 (1992): 28.
"Odysseyan: Excerpts from the Epic/Epoch." Phoebe 3.1 (1991): 44-5.
"Every House Plant." Metis 7 (1991): 6.
“The Wolf.” Pride Against Prejudice. Morris. London: The Woman's Press, 1991. 86-8.
"The Wolf." Kaleidoscope 20 (1990): 85-6.
Publications - Essays:
"Re/fractions from Los Angeles." Phoebe 4.1 (1992): 19-22.
Publications - Translations:
"Breaking Down Barriers in Ideas and Practice." Trans. Susan Hansell. A Dream Compels Us. Ed. Carter. Boston: South End, 1989. 93-6.
Forced to Move. Renato Camarda. Trans. Susan Hansell. Berkeley: New Americas, 1985.
"Mortally Wounded" and "The American Way of Death." Claribel Alegria. Trans. Susan Hansell. El Tecolote June (1985): 7-8.
"Three Poems by Claribel Alegria." Trans. Susan Hansell. Suisun Valley Review 5.1 (1985): 61-3.
UNIVERSITY DEGREES AND TEACHING HISTORY:
Master of Fine Arts in English, Creative Writing, Playwriting: Brooklyn College of The City University of New York. Comprehensive examinations under Jack Gelber in over one-hundred
critical and creative works. Theatre Department course work with
Mona Heinze-Barreca in Dramaturgy, Translation of
Plays, and Dramatic Structure. Theatre Criticism with Doug Langworthy at the CUNY
Graduate Center in Manhattan.
Master of Arts in English, Creative Writing: San Francisco State University. Comprehensive examinations and specializations in Samuel Beckett, Emily Dickinson, and Zora Neale Hurston. Thesis, under Kathleen Fraser, in Contemporary Poetry, with additional course work in Feminist Poetics, in Ethnic Studies with Chinosole, and, with Robert Gordon, in 20th C American Theatre.
Bachelor of Arts with High Honors in Sociology: The University of California at Berkeley. Honors Thesis in social theory under Michael Buroway. Graduate-level course work in Structural Anthropology (with Ann Merrill) and Political Sociology (with William Kornhauser). Additional undergraduate upper-level course work in Afro-American Literature, Chicano Literature, Comparative Literature, Media-Communications (with Todd Gitlin), and in inaugural courses in Women's Studies.
California State University, Long Beach, Departments of English, History and Theatre, 2000-2007. Lecturer in upper-level Literature (370; 385), Theory (384), and Pedagogy (400) courses, in senior-level History of American Women (485), in graduate-level Theory of Theatre Aesthetics (696), in lower and upper level composition and literature (1; 100; 270; 309) and in interdisciplinary general education courses (372).
Brooklyn College of the City University of New York, 1994-2000. Lecturer in the graduate M.F.A. Program in Playwriting: Taught the M.F.A. program tutorials for the graduate-level student playwrights. Lecturer in Core 6 (Landmarks in Literature) Courses; Lecturer in Multi-Disciplinary Composition.
Kingsborough College of the City University of New York, 1996-2000. Lecturer in Composition.
California State University, Northridge, Department of English, 1989-1992. Lecturer in Creative Writing, American Literature, and Composition.
Loyola-Marymount University, Los Angeles, Department of English, 1991-1993. Lecturer in Literature and Composition.
San Francisco State University, Department of Creative Writing, 1987-1988. Lecturer in Creative Writing.
California Arts Council. Individual Artist in Residence. Taught creative writing classes at the Independent Living Center in San Francisco. Desk-top published an anthology of participants' works and organized public readings and performances.
New Americas Press. Translator and Editor of materials from Spanish to English. Extensive travel in North and Central America.
Email Susan Hansell directly at: <firstname.lastname@example.org>.
photo 2014 © a. paul cartier